
But the true harpsichord, sometimes called grand harpsichord, was the complete fashion statement of the colonial elite. Unlike the single manual, single-strung spinet, it was considerably larger and had two manuals and three sets of strings, plus also extra features like the machine stop and Venetian louvers—accessories required for the new harpsichord Washington ordered for young Nelly Custis.

In 2015, this harpsichord not having been in playable condition for approximately 150 years, the MVLA wisely came upon a plan to move this handsome instrument from the Mansion, have it carefully examined and measured, commission an exact copy to be built (one that could be played!), and retire Nelly’s now “old” harpsichord.
David K. Hildebrand, PhD
Colonial Music Institute
Building the Replica Harpsichord
For over two and a half years John Watson, Conservator of Early Keyboard Instruments, worked to create a replica of Nelly Custis's 1793 Longman & Broderip 2-Manual Harpsichord.
Inside the Harpsichord
Dr. Joyce Lindorff, Professor of Keyboard Studies at Temple University and residential fellow at the Fred W. Smith Library class of 2018-19, explain the amazing features of Nelly’s “New” Harpsichord.
Play the Harpsichord
Nelly Custis' Passion for Music
Learn more about Nelly Custis, who played the original harpsichord more than anyone.
The Return of the Harpsichord
Dr. Joyce Lindorff was one of the first to play Nelly’s New Harpsichord. Listen to her interview with Librarian Samantha Snyder on an episode of Conversations at the Washington Library.
Playing the Harpsichord
Dr. David Hildebrand, Director Emeritus of the Colonial Music Institute and residential fellow at the Fred W. Smith Library 2016-17 and 2020-21, demonstrate the spinet in the New Room in the Mansion.
Washington’s Musical Admirer: Francis Hopkinson
George Washington’s contemporary Francis Hopkinson and his dedication of Seven Songs for the Harpsichord or Forte Piano. The Words and Music Composed by Francis Hopkinson (Philadelphia: T. Dobson, 1788) to the first president.